FAQ

This is a Miami-based studio for cinematic photography, film and post-production. It is a living archive of the work David and the team have created.

We are based in Miami, Florida, and work across South Florida and beyond. Location and travel details are arranged directly for each project.

David leads the studio as director, cinematographer and colorist, working with a small trusted crew of shooters, editors and producers depending on the project.

Cinematic visuals: brand films, music videos, fashion and portrait photography, events, real estate and aerial work, all finished with a filmic look.

It is first a portfolio and archive. The galleries are the point. If you want to work together, the Contact page is where to start.

Yes. We collaborate with brands, agencies, artists and individuals. Every project is treated with the same cinematic standard.

Selected behind-the-scenes stills and frames appear across the galleries. Follow the studio on social for more.

Intentional lighting, controlled color, shallow depth, deliberate motion and a graded finish. The goal is a frame that feels like a still from a film.

Yes, we travel. Miami is home base, but projects can be produced wherever the story lives.

New galleries are added here regularly. The social links in the footer are the fastest way to see fresh frames.

Reach out through the Contact page with a short description, dates and references. We reply with next steps.

Yes. Once we understand scope, deliverables and timeline, we prepare a clear quote with no hidden line items.

The type of project, location, dates, number of final deliverables, usage rights and any visual references you like.

Most projects are confirmed with a deposit to hold the date, with the balance due on delivery. Terms are set in the agreement.

For larger productions, two to four weeks is ideal. Smaller sessions can sometimes be arranged on shorter notice.

We build each project around what it actually needs rather than fixed tiers, so you only pay for what serves the work.

Standard digital payment methods are supported. Details are confirmed in your booking agreement.

Small adjustments are usually fine. Larger changes to scope or deliverables may affect the timeline and quote.

Yes. A written agreement protects both sides and clarifies usage, delivery and rights before we shoot.

Cancellation and rescheduling terms are stated in your agreement. We aim to be fair and flexible where we can.

Brand films, commercials, music videos, fashion films, event coverage, real estate tours and short-form social content.

Cinema-grade cameras, prime and zoom lenses, controlled lighting, stabilization and audio gear, matched to each project.

Yes, 4K is standard, with higher resolutions available when a project calls for it.

Yes. High-frame-rate capture is available for slow-motion sequences when the concept benefits from it.

We record clean production audio and can source or license music, with mixing handled in post.

For narrative and brand films we can develop concepts, scripts and shot lists so everyone shares the same vision before the shoot.

Yes, we light and record interviews with proper audio, multiple angles and a clean, cinematic frame.

It depends on scope, but most productions run a standard shooting day, with pre-light and wrap built into the plan.

Yes. We scale the crew to the project, from a lean solo setup to a full team with lighting and grip support.

Multicam coverage is available, and streaming setups can be arranged when planned in advance.

Fashion, portrait, editorial, product, real estate, events and lifestyle, all with a filmic, graded finish.

Yes. Portraits and headshots are lit and directed to feel cinematic rather than generic.

Yes. Product and still-life work is shot with controlled light and retouched to a clean, premium standard.

Fashion and editorial work is a core part of the archive, from studio sessions to location shoots.

The number of edited finals is agreed per project. You receive a curated, retouched selection, not raw dumps.

Yes. All delivered images are color-graded and retouched to match the studio look.

We deliver finished, graded files. Raw files are generally kept by the studio unless agreed otherwise in writing.

We can coordinate hair, makeup and styling through trusted collaborators when a project needs it.

Both. We choose the setup that best serves the concept, whether that is a controlled studio or a real location.

Sessions can often be scheduled within a week or two, subject to availability. Reach out with your preferred dates.

Editing, color grading, sound, motion graphics and finishing, tailored to the deliverables of your project.

Yes. Color is central to our look. Every project is graded for a consistent, cinematic finish.

Yes. We take on edit-only and grade-only projects when the source material is workable.

Yes. Titles, lower-thirds, logo animation and light motion graphics can be built into the edit.

A set number of revision rounds is agreed up front so the edit stays focused and on schedule.

Industry-standard editing, color and audio tools, chosen to fit the format and finishing needs of each job.

Yes. Share reference films or stills and we build a grade and edit rhythm that lives in the same world.

Yes. We reduce noise, balance levels and mix music and dialogue for a clean final track.

Yes. We can master a piece and deliver platform-specific versions in the ratios you need.

Minor tweaks can usually be handled; larger changes after final delivery are quoted separately.

Final files are delivered through a private download link, organized and ready to use.

Turnaround depends on scope. Photo sessions are typically faster than film projects; your timeline is confirmed at booking.

Standard high-quality formats for photo and video, plus platform-optimized versions when needed.

Rush delivery may be possible depending on the schedule and is quoted as an add-on.

We archive project files for a limited period. Confirm archival needs at booking if you require long-term storage.

Yes. Lighter, web-ready exports are available alongside the full-resolution masters.

Final approved deliverables are clean and unwatermarked. Preview drafts may carry a light watermark.

We deliver files ready to publish; direct uploads to your channels can be arranged if requested.

Yes. High-resolution, print-ready files can be delivered for framing, press or large-format use.

Just reach out and we will re-issue an active link within the archival window.

Yes. We approach weddings cinematically, with discreet coverage and a film-quality finish.

Yes. Conferences, launches, galas and brand activations are all part of the studio's event work.

Yes. We can run a combined photo and video team so nothing important is missed.

Coverage scales with the event. Larger occasions get multiple shooters for full angles and moments.

Same-day or next-day highlight edits can be arranged when planned ahead of time.

Highlight films and galleries are delivered within an agreed window after the event, with rush options available.

Aerial coverage is available where the venue and local rules allow it.

Yes. We record clean audio for speeches, vows and performances as part of full event coverage.

For larger events we scout or review the venue in advance to plan light, angles and movement.

Overtime terms are set in your agreement so extended coverage is handled clearly and fairly.

Yes. We produce commercial films and campaigns from concept through final grade.

Yes. Short-form, platform-native content is a major part of what we deliver for brands.

We can lead or collaborate on creative direction, from mood and look to shot design.

Yes. Launch films, hero product photography and campaign assets are all within scope.

Yes. We can plan a shoot to produce a batch of photos and clips efficiently in one production.

Usage and licensing terms are defined in your agreement so you know exactly where and how long you can use the work.

Yes. Share your guidelines and we align look, color and pacing to your brand system.

Yes. We can shoot with your talent or help coordinate casting through trusted contacts.

Yes. A single production can be edited into films, reels, stills and cutdowns for multiple channels.

Yes. Retainer-style partnerships are available for brands that need a steady stream of content.

Yes. We regularly travel for projects. Travel and logistics are quoted transparently.

Yes, from Miami across South Florida, and beyond for the right project.

Yes. International productions are possible with the right planning and lead time.

We can help secure permits and scout locations, or work with a location that you provide.

Yes. Real estate, interiors and architecture are shot to feel elevated and cinematic.

Yes. Marine and waterfront shoots are common in Miami and well within our experience.

Yes. Licensed aerial coverage is available where regulations permit.

We plan around light. Golden hour, blue hour and night work are all part of the craft.

For key shoots we scout ahead to plan light, framing and movement before the day.

Travel, lodging and logistics are itemized clearly in your quote with no surprises.

4K is standard, with higher-resolution options available when a project benefits from them.

Yes. We capture in flat or raw profiles to preserve latitude for grading.

24fps is our default cinematic base, with higher frame rates used for slow motion.

Yes. Critical gear is backed up on set to keep productions running smoothly.

Media is offloaded and backed up to multiple drives during and after the shoot.

Yes. Gimbals, sliders and other stabilization tools are used to shape motion intentionally.

We carry cinema lighting and shape it deliberately; light is where the cinematic look begins.

Yes. We use dedicated recorders and microphones for clean, professional sound.

HDR delivery is available for projects and platforms that support it.

A defined grade, matched lenses and controlled lighting keep every frame in the same visual world.